Writing English as a non-native speaker isn’t mostly a grammar problem — it’s a transfer problem. Your English inherits the shape of your first language. A Korean or Russian writer drops articles the language never used. ” A Chinese writer lets tense flatten out. Everyone produces the translated rhythm that makes prose feel secondhand. Generic tools flag the symptom on the surface and skip the cause, so you fix the same thing paper after paper. Diglot is built for non-native writers from the ground up.
It lets you draft in your first language and produce the English in the same editor, it targets the exact phrasing that reads translated, and it attaches the reason your L1 caused each error — so the feedback teaches rather than just marks. Translation, rewriting, and grammar share one document, so you’re not copy-pasting between a translator, a grammar checker, and a paraphraser and losing your place each time. What comes out reads as your own voice in English, not a translation of it.